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《到火花中去》以60-70年代韩国为背景，不仅仅是沉重又萧条的，这也是韩国要开始近代化的时期，仿佛一台即将出发的蒸汽机车一般，充满了动力充满成功的机会和各种可能性，以及都向着这种可能性奔跑的满怀激情的时代。权力家、国际财团，让这个时代还充满了华丽感，与市民们每天为生计愁苦的样子，在电视剧中同时得以展现。“北杜南金”三十年代黑白两道如雷贯耳，与上海杜月笙齐名的广州一代大亨——金城。20年代的广州城，政局动荡，豪强纷起，各欲称霸。广龙堂龙头大哥林凤平死于非命，一时群龙无首，而鼎立的三山会、洪胜堂和其他帮派正虎视眈眈，一场江湖腥风血雨随时爆发。外来青年金城忍辱负重，继任堂主,施妙计挫败黑道对手，令陈炯明族弟陈达生命死尼庵；做善事博得名利双收，扩张广龙航运有限公司名震省港，贩军火，除青帮，下杀手。在一件件命案中迅速掘起，成为与上海杜月笙齐名的一代闻人，全剧展现当代广州城的民俗风情，三教九流，光怪陆离，情节跌宕起伏，一波三折。由著名影星江珊出演一代影后胡蝶，再现英雄美人一段广为传颂的风流逸事。　　梦想成为专业芭蕾舞蹈员的老二张乃良（方展发饰），因为耳疾导致晕眩，只好另觅出路。老三张乃祎（冯伟衷饰）从拉萨艺术学院的服装设计系毕业，后来认识了一位欣赏他设计理念的服装公司的总裁。乃祎开心遇到伯乐，到了办公室才发现原来是一间设计女性胸罩的公司……众人听了都笑。英国出身的少年在父母决定的自己的道路上迷路，尽管如此也要面对自己的梦想——。From basic skills to methodology to character and mode of thinking, it is a process from "skill" to "Tao". However, unfortunately, many people blindly worship "Tao" and despise "Shu", but they do not know that the real Tao comes from the accumulation of Shu and the natural process from quantitative change to qualitative change. Without solid basic skills and systematic methodology, it is ignorant and opportunistic to talk about the so-called "philosophy, art and character" and rely on beautiful words and high-profile rhetoric to attract attention. Experience does not necessarily translate into theory, and scattered knowledge points do not necessarily rise to system integration. However, due to the lack of basic foundation and knowledge accumulation, the so-called "investment philosophy" can only be a joke. "Avenue to Jane" and "Avenue to Connect" are logically reasonable, because there are only a few great principles after high abstraction, but the difference between "technique" is very large because it is very meticulous. Therefore, what really troubles people is the process of combining and refining from art to Tao.金二顿时面色涨红，低下头去，呐呐道：属下……属下已经托了媒人说亲，就要下聘了。