The following question: The fire truck lane should meet the requirements of disaster relief and evacuation, and its width should ensure that the fire truck can still pass after the houses on both sides of the main road are affected and collapsed. Reasonable planning, construction and renovation of fire lanes shall be carried out in the blocks. The width, spacing and turning radius of fire truck passages shall be required by relevant regulations of symbols to ensure the smooth flow of fire truck. Cities with rivers and railways passing through should take measures such as adding bridges to ensure the smooth flow of fire engines. Due to the needs of urban construction, when temporary excavation or occupation is necessary, the approving unit must promptly notify the public security fire supervision institution. GB50016-2006 Code for Fire Protection Design of Buildings 6.0. 1 The passage of fire engines should be considered for the roads in the block, and the distance between the center lines of the roads should not be greater than 160.0 m m. When the length of the building along the street is greater than 150.0 m or the total length is greater than 220.0 m, a fire lane shall be set up to pass through the building. When it is really difficult, an annular fire lane shall be set up. 6.0. 2 For buildings with closed inner courtyard or patio, when the short side length is greater than 24.0 m, fire lanes entering the inner courtyard or patio should be set up. 6.0. 3 When buildings with closed inner courtyard or patio are along the street, pedestrian passageways (stairwells can be used) connecting the street and inner courtyard shall be set up, and the spacing shall not be greater than 80.0 m m.. 6.0. 4 Facilities that affect the passage of fire engines or the safe evacuation of personnel shall not be set up on both sides of the fire lanes that pass through the building or enter the inner courtyard of the building. 6.0. 5 Gymnasium with more than 3000 seats, exceeding
More slowly
Key
民国初年，军阀混战时期，陕北说书艺人兰老五在兵荒马乱之际捡到一襁褓中的女婴，从此悉心照料并抚养其长大，兰根根、冯三虎、张忠汉几位儿时的伙伴更是倾情呵护。妻妾却仅有一弱智多病的儿子，于是千方百计将兰花花娶为儿媳，指望其传宗接代。迎亲时冯三虎等几位伙伴率众抢亲失利，悲痛欲绝。孰料周若怀之子在洞房花烛之际猝死。周若怀再施奸计，将兰花花送与山西富户蔺士殿为妾，自己则趁机纳蔺士殿的干女儿为妾。暗恋兰花花的张忠汉此时已从军升官，结合绿林好汉于送亲途中劫出兰花花。残酷的现实使冯三虎感悟到，乱世之中没有公道，要想保住自己心爱的女人，要想过上幸福的日子，就得有钱有权有势，于是他决定去吃粮当兵，以自己的鲜血和生命去换取改变命运的主动权。兰花花憧憬民主、自由、平等、博爱、衣丰食足的未来生活，全力支持三虎另寻出路。
4. Builder Model
《背后的切割》讲述了两个男人一起努力实现梦想的故事。故事围绕着志在成为世界著名设计师的设计专业学生Ki Jin和个性鲜明的兼职送货员杨宇，以及他们在工作和爱情中的挣扎展开。韩国顶级模特李斌将参与拍摄，并有望为观众带来惊喜。。。
连长丁浩(李兴文饰演)在安邦的身上，似乎看见了自己过去的影子。当年他训练新兵时也同样严格，同样铁面无私，但却因为管教不当发生意外，让他多年来荣升不上，使自己成为全国最老的连长。热血的孙安邦，是否能唤醒丁浩昔日的澎湃热情？
Niumulin
绿菠见她打趣自己，笑着去挠她。
3. Apostle Casillas
幼年时，林佳因家中变故被父亲林世渊独自一人含辛茹苦带大。林佳长大后格外任性，做事不计后果。林世渊意识到女儿的问题，为挽救女儿，将其赶出家门，让她从基层职工做起，接受社会锻炼与改造。失去富裕生活的林佳负气出走、流落街头，被北京胡同里土生土长的快递员陈曦所救。普通的百姓生活让林佳无从适应，更惹出重重祸事。面对齐心协力共度难关的陈家人，林佳心底的善良被激发。陈曦对爱情、家庭的责任感教会了林佳如何重新塑造自己，也带领林佳用劳动创造价值。陈曦在日夜相处中改变了对林佳的印象，两人就此相爱。而此时，林佳昔日男友黄在远再次出手欲重新追求改头换面的林佳，林佳的亲生妈妈也从美国衣锦还乡，并试图让林佳重新过上不用劳动的生活，林佳和陈曦之间的感情变得岌岌可危。最终，林佳克服重重阻碍，奋斗成长为对社会有用的正能量女孩，也收获了和陈曦的爱情。
《战斗女人》的作者小泉今日子通过《海女》、《倒数第二次恋爱》系列的活跃，在男性当中的人气不用说，而且在不同年龄段的女性中也越来越受到欢迎，是一位少见的意识领袖。该剧是根据她围绕“内裤和女人心”写的随笔，创作出的“5个电视剧”。
该剧改编自同名漫画，讲述恶鬼捕猎者们伪装成面馆职员以对抗人间恶鬼，以此展开的痛快挥洒汗水的人类英雄故事。
In fact, each design pattern is a very important idea, which looks very familiar. In fact, it is because what we have learned is involved. Although sometimes we don't know it, it is actually reflected everywhere in Java's own design, such as AWT, JDBC, collection class, IO pipeline or Web framework, in which design patterns are everywhere. Because of our limited space, it is difficult to talk about every design pattern in great detail, but I will try my best to write down the meaning clearly in the limited space and space so as to make everyone understand better. If there is no accident in this chapter, it should be the last talk of the design pattern. First of all, it should be the figure at the beginning of the previous article:
The user touches the screen to generate a MotionEvent
宋运辉（王凯饰）天资聪颖，却出身不好，一直倍受歧视，但是他把握住了1978年恢复高考的机会，抓住机遇，勤学苦干，当上了国企的技术人员，一步步晋升，奠定了成功人生的基础，但也在新时代的变革中逐渐迷失。与宋运辉不同的是他的姐夫雷东宝（杨烁饰）。他出身贫寒、属于苗正根红的“大老粗”，行动力十足。在乡村改革的浪潮中带领村民紧跟政策，一直走在时代的前沿。但由于自身文化水平不高，眼界不够开阔，最终绊倒在新事物脚下。如果说宋运辉和雷东宝的经历是国营经济和集体经济的缩影。那么个体户杨巡（董子健饰）无疑就是个体经济的典型代表，在翻滚向前的时代中，他手忙脚乱抓住过商机，也踩踏过陷阱，生意场上几经波折，最终拥有了自己的产业，成为了那个时代个体经济的典型代表。
这是一个梦想成真的励志故事。通过胸怀英雄梦的富家子弟郑帅从一个不知天高地厚的军事发烧友来到部队，在战友的帮助下，历经挫折与磨难成长为雪豹突击队队员的传奇经历，讲述了武警官兵坚守尊严与荣誉，勇于担当时代责任的感人故事，通过以郑帅为代表的几个90后官兵的成长经历，回答了伴随着网络“虚拟人生”长大的90后军人，在火热的部队中百炼成钢，勇于肩负国家使命的时代话题，展示了特战狙击手鲜为人知的生活、情感，以及他们传奇的人生，在坚持与放弃，有小我与大我，爱与恨之间，深刻揭示了当代军人的大爱情怀和灵魂深处的精神诉求。
鬼才编剧简远信继《情锁》、《回家的诱惑》后又一力作。该剧改编自台湾金牌连续剧《长男的媳妇》。环球成衣企业董事长王光耀正在家中举办盛大的乔迁之宴。乔迁宴上，全家人都沉浸在喜悦之中，亲朋好友纷纷前来祝贺，不料贺客中出现了一位名叫黄崇明的人带着母亲黄玉梅前来闹场，并声称自己也是王光耀之子，王家人全场震惊最终这场乔迁宴草草结束。王光耀的大儿子王绍华对于突然冒出个哥哥感到非常高兴，但王光耀的妻子何莉却十分不悦，认为黄崇明来突然前来认亲是另有目的，并坚决反对他与母亲黄玉梅入住王家。黄崇明则坚决要求光耀在众人面前认他这个儿子。绍华的妻子敏君见势，力劝崇明不要在大庭广众之下让王家人难堪，却引来更大的非议。原来崇明与敏君从小就是青梅竹马，敏君工作后常与其聚在一起，讨论理想及未来，二人感情甚好，后因为敏君辞职嫁人，两人也就断了缘分，但崇明却一直难忘敏君。这一点也是一直以来王家人心里的疙瘩。但这次即使是敏君前来劝说，崇明也十分坚决，并大闹王家，硬要讨个公道，弄的王家鸡飞狗跳。绍华指责崇明不该此时在王家大闹
The reporter stations of the New York Times in all parts of China (including Hong Kong) are under the control of the chief reporter of the Shanghai Branch in China, regardless of finance, personnel and reporting services. Aban has been the chief reporter in China for 12 years since 1929. The positions of editor-in-chief and publisher of the New York Times have been changed one after another, but his position is as stable as Mount Tai, because his business is exquisite and comprehensive, and it is difficult to replace him at will. In 1940, Aban finally left China, but instead of being transferred back by the headquarters, he was unable to hold back the Japanese's repeated attempts to physically destroy him, so that US Asian Fleet Commander Hart could not see him and forced him to avoid him.
